Real time (media)

Real time within the media is a method in which events are portrayed at the same rate at which they occur in the plot. For example, if a film told in real time is two hours long, then the plot of that movie covers two hours of fictional time. If a daily real time comic strip runs for six years, then the characters will be six years older at the end of the strip than they were at the beginning. This technique can be enforced with varying levels of precision. In some stories, every minute of screen time is a minute of fictional time. In other stories, such as the daily comic strip For Better or For Worse, each day's strip does not necessarily correspond to a new day of fictional time, but each year of the strip does correspond to one year of fictional time.

Real time fiction dates back to the climactic structure of classical Greek drama.[1]

Film, television and radio

Often, use of split screens or picture-in-pictures are used to show events occurring at the same time, or the context in which various subplots are affecting each other. Examples include the television series 24 and films Timecode and Phone Booth. On-screen clocks are often used to remind the audience of the real time presentation.

Video games

In a real time computer game or simulation, events in the game occur at the same rate as the events which are being depicted. For instance, in a real time combat game, in one hour of play the game depicts one hour of combat.

Comic books and strips

In comic books, the use of real time is made more complicated by the fact that most serial comics are released on a monthly basis and are traditionally 20 to 30 pages long, making it difficult to tell a story set in real time without overlooking important events from one month to the next. Another explanation is the prevalence of the superhero genre in American comics, and the iconic status attached to such characters; it is often considered that such mythological, sometimes godlike heroes cannot age in real time without losing the characteristics that make them special. This has led to the common use of floating timelines in the universes of Marvel Comics and DC Comics.


In the Inspector Rebus series of detective novels by Scottish writer Ian Rankin, characters age in step with the publication date. Rebus is stated to have been born in 1947; in the 2007 novel Exit Music he reached age 60 and retired.


  1. "Dramatic Structure: Climactic, Episodic, and other Forms". Monmouth College. Archived from the original on 2019-08-13. Retrieved 2019-10-30.
  2. "Polanski film cheered for wit, Winslet's vomit". Reuters. 2011-09-01. Archived from the original on 31 October 2019. Retrieved 31 October 2019.
  3. Vo, Alex (28 November 2016). "Every Minute Counts: 24 Real-Time Movies". Rotten Tomatoes. Archived from the original on 16 May 2016. Retrieved 10 May 2016.
  4. van Hoeij, Boyd (16 February 2016). "'Paris 5:59' ('Theo & Hugo dans le meme bateau'): Berlin Review". The Hollywood Reporter. Archived from the original on 10 April 2016. Retrieved 3 April 2016.
  5. Sepinwall, Alan (25 April 2019). "'Brooklyn Nine-Nine' Recap: Code Red". Retrieved 12 February 2021.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.